I haven’t done a full-career deep dive of David Bowie, but I did spend three weeks in 2016 exploring his catalog following his death.
Among the albums I featured was 1974’s Diamond Dogs, an ambitious record that paired Bowie’s glam rock style with a grungier aesthetic inspired by the Rolling Stones. Best known for ‘Rebel Rebel’ and the title track, the album sold well despite mixed reviews.
Like Jackson Browne’s Late for the Sky, the second classic 1974 album on this list showed up in a deep dive earlier this year. Too bad Madonna didn’t record in 1974 or we could have gone three for three.
Joni Mitchell’s Court and Spark was her most popular album, commercially, and has been critically hailed. As I wrote back in February, however, I remain immune to its charms.
This week I’m kicking off the latest installment of my ‘Decades’ series, wherein I feature songs from renowned albums from a single year across four decades. So far I have covered the first four years of the 70s, 80s, 90s, and 00s. That brings me back around to 1974.
Normally, I count down my own favorite albums from the given year before moving on to albums with which I’m not familiar. This year, though, proves to be a bit of a blindspot for me. While I have passing familiarity with the first five or six albums I’ll feature, I don’t know them well enough to rank them.
My final 2003 album wasn’t a major commercial success, or musically groundbreaking. It’s just the third studio album by an artist I really like but don’t feature very often: Pink.
Try This was Pink’s follow-up to the smash 2001 hit Missundaztood, which went 5X Platinum and remains her best-selling album, with 12 million copies moved worldwide. That album marked a shift from pop to rock, and Try This continued the evolution of her sound.
Radiohead had a great 90s, with its three albums moving them from Nirvana-wannabe alt-rockers to one of the most acclaimed bands in the world. Their albums The Bends and OK Computer have been hailed as two of the most important alternative albums ever.
The 2000s saw Radiohead embrace their critical darling status by steering their music away from the mainstream and into electronic, art-pop territory. 2000’s Kid A and 2001’s Amnesiac were embraced by critics and called modern rock masterpieces.
Meet Me In Montauk 