My #3 album of 1991 is admittedly a bit of a cheat, as most of its songs were recorded decades earlier. But Bob Dylan’s The Bootleg Series, Vol 1-3: Rare & Unreleased 1961-1991 marked the first time most of these outtakes and demos were officially released.
This three-disc set covered Dylan’s earliest years up through his spotty 80s output, and found hidden gems throughout. Incredible songs inexplicably left off of mediocre albums, alternate takes of all-time classics, demos recorded before anybody knew the name Bob Dylan.
My #4 album of 1991 is the mostly mediocre Elvis Costello release, Mighty Like a Rose.
Ranking this one was tough. I had to balance the warm bath of nostalgia with the sobering effects of time, then sprinkle in a dash of ‘one amazing song lifting up a whole album.’ Given all that, fourth place feels about right.
Well, this is a bit awkward. When checking to see which songs I’ve posted from Joe Jackson’s Laughter & Lust, my #5 album of 1991, I realized that in a previous Decades post I named this my #4 album of 1990.
I double-checked, and the album was indeed released in 1991 (April, to be exact) so I’m not sure how I mistakenly shifted it a year early back then. At least I’m consistent with the placement.
My #6 album of 1991 is the female counterpart to yesterday’s selection of Marc Cohn’s debut album. As with that record, I haven’t spent a lot of time listening to Bonnie Raitt’s Luck of the Draw over the years, but there’s no denying its greatness.
Raitt has such a great voice and sound that you can listen to her singing anything and come away satisfied. One of my co-workers tunes her Alexa to the Bonnie Raitt station every time it rains, and I totally get why.
My #7 album of 1991 is the debut of Cleveland-born singer-songwriter Marc Cohn.
This is a bit of a left-field pick for me because I haven’t given Cohn’s album much thought since it came out. But scanning my music library’s 1991 titles for this week’s posts, I was struck by the greatness of this album. It’s a gorgeous collection of poetic piano balladry.
Morrissey kicked off a successful solo career following the disbanding of The Smiths in 1987. He has released 11 albums in the three decades since, though the most interesting output came during the late 80s through mid 90s.
For my money, his best solo albums are his 1988 debut, Viva Hate, and his third album, 1992’s Your Arsenal, easily his best work. Sandwiched between them was 1991’s Kill Uncle, an oddly endearing record that I rank as my #9 album of 1991.
Continuing my look at the year 1991 in music, I’ll now count down my personal top ten albums of that year.
At #10 is U2’s Achtung Baby, the band’s seventh studio album and the first proper follow-up (setting aside the soundtrack album Rattle and Hum) to 1987’s classic The Joshua Tree.
Achtung Baby was a massive hit, with 18 million copies sold worldwide, second only to The Joshua Tree among their discography.