Brad Paisley took a massive hit to his credibility, not to mention his album sales, with 2013’s Wheelhouse.
The harsher blows were due to the ill-advised crapfest ‘Accidental Racist,’ a stab at racial harmony (performed with LL Cool J) that turned out laughably bad and, ironically, a bit racist itself.
But the album’s lack of chart success (relative to Paisley’s astronomical sales numbers up to that point) wasn’t the fault of ‘Accidental Racist.’ It was a sign that Paisley’s increasingly experimental, envelope-pushing approach to country music had finally alienated a sizable portion of his audience.
