Song of the Day #777: ‘Santa Fe’ – Bob Dylan

Bob Dylan’s Bootleg Series Vol. 1-3 was the first box set I ever bought, and remains one of only two I own. I’ve always viewed box sets as extravagant purchases, the musical equivalent of buying a solid gold hat. Paying $50+ for something that won’t even fit on the shelf alongside your other CDs? No, thank you.

But the promise of this first set of bootleg recordings — 58 tracks spanning Dylan’s earliest days to his most recent — was too much to pass up. So I laid down my hard-earned cash and cradled that package like a newborn.

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Song of the Day #776: ‘Let Me Die In My Footsteps’ – Bob Dylan

So after last week’s look at Bob Dylan’s 2009 Christmas album, I now jump 47 years back in time to a 1962 track that a young Dylan recorded for The Freewheelin’ Bob Dylan but wound up not including on the album.

Dylan’s Bootleg Series, which includes eight released volumes and a ninth due next month, is an extraordinary supplement to his catalog of live and studio albums. Dylan has treasure troves of unreleased material, much of which tops his official output, and it’s a treat to see those songs so lovingly resurrected.

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Song of the Day #770: ‘O’ Little Town of Bethlehem’ – Bob Dylan

I started the Dylan Weekends series back in the closing days of January. And here we are in the closing days of August, a full seven months later.

It took me that long to explore every studio album Dylan has released so far — 34 of them — while leaving out 20 other albums consisting of either greatest hits, live performances or unreleased tracks.

It is to those albums that I will turn my attention next, specifically the amazing bootleg series that is surely the best project of its sort ever attempted.

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Song of the Day #769: ‘Little Drummer Boy’ – Bob Dylan

Fans who’ve followed Bob Dylan over his five decade (and counting) recording career, as well as non-fans who I’ve subjected to six months (and counting) of Dylan Weekends, know to expect the unexpected. But even the die-hards were likely thrown by Dylan’s most recent release, 2009’s Christmas in the Heart, an album of Christmas standards.

Was this a throwback to his Christian phase? A joke? Another acoustic covers collection along the lines of Good As I Been To You and World Gone Wrong? It was none of the above, or maybe all of the above and something else besides.

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Song of the Day #763: ‘I Feel A Change Comin’ On’ – Bob Dylan

Many of Bob Dylan’s albums are noteworthy for the atmosphere they evoke. The Basement Tapes sounds like it truly was recorded by a group huddled together in a basement (which it was, in part, but that’s not really important). Oh Mercy evokes the gothic New Orleans streets outside the studio. Blonde On Blonde has always sounded to me like the music of a shanty fishing town.

Together Through Life is one of the best examples of Dylan’s work creating an atmosphere. In this case, it’s the sound of a dive bar on the U.S.-Mexico border. The instrumentation (particularly David Hidalgo’s accordion), Dylan’s hard-luck vocals and the songs themselves all paint that place vividly in my mind.

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