Blonde On Blonde is without question one of the towering achievements of Bob Dylan’s career, a two-disc masterpiece chock full of lyrically resonant and sonically fascinating songs.
The album might be best known for the monster ballads ‘Vision of Johanna,’ ‘Just Like a Woman’ and ‘Sad Eyed Lady of the Lowlands’ (which, at over 11 minutes, made up the entirety of Disc Two/Side B of the album’s vinyl release). But it contains just as many looser, faster-paced gems.
I have never and will never tire of Bob Dylan’s Love and Theft. This is one of the very best albums by one of the very best singer-songwriters in popular music history.
While the album features a few structurally complex songs, as well as a couple of delicate melodies tailor made for an old-school crooner, it’s hard to beat the straight-up blues bruisers like today’s SOTD.
Apologies to Amy, who recently requested that I not post anymore Bob Dylan songs.
I’m not sure why she picked on poor Dylan, who hasn’t made many appearances on the blog lately (only two this year, though admittedly one was less than a week ago).
I hope today’s song, a standout from The Times They Are A-Changin’, will get a pass. If the Random iTunes Fairy serves up more Zimmerman tomorrow, that’s another story.
Here’s one of those early tracks from the first volume of Bob Dylan’s Bootleg Series. This song was an outtake from The Freewheelin’ Bob Dylan.
Unlike many of the songs that were inexplicably left off of Dylan’s albums over the years, scrapping this one was a good choice. It’s certainly not bad, but neither does it rise to the high level of everything else on Freewheelin’.
Here’s a nice little palate cleanser after yesterday’s Christina Aguilera electro-pop atrocity.
‘Mississippi’ is one of Bob Dylan’s greatest achievements, and thanks to the wonder of his Bootleg Series, fans now have no fewer than four versions from which to choose (not counting Sheryl Crow’s cover).
Meet Me In Montauk 