While we wait patiently for Beck’s 13th studio album, his first since 2014’s Grammy-winning Morning Phase, let’s enjoy a blast from the past in the form of ‘Peaches & Cream,’ a cut from his 1999 album Midnite Vultures.
Midnite Vultures, released in the midst of Y2K paranoia, before we lost our national innocence on 9/11, is a blissed-out vision of white boy funk on which Beck very effectively channels Prince.
When I saw that my final blog entry on the Village Voice Pazz & Jop poll was to be a rap song by YG (feat. Nipsey Hussle), I was bummed. I’ve seen enough of these generic party anthems held up as great art.
But then I read that the song’s title ‘FDT,’ stands for “Fuck Donald Trump” and I realized, regardless of the song’s quality, we couldn’t have a finer closing song for this series.
I featured an Angel Olsen song on the blog back in March of 2014 and didn’t give her another thought until she showed up on this year’s Pazz & Jop poll at #12 on the albums list and #13 on the singles list.
Olsen is a St. Louis-born singer-songwriter who reminds me a bit of Courtney Barnett. 2016’s My Woman is her fourth full-length release.
I really loved the Radiohead of The Bends and OK Computer but their appeal pretty much ended for me there (though parts of In Rainbows were listenable). After a five year hiatus, the band released A Moon Shaped Pool last year to (shocked) critical acclaim. It landed at #7 on the Village Voice Pazz & Jop albums poll.
Tied for the ninth spot on Village Voice’s Pazz & Jop poll is Rihanna’s ‘Work,’ probably the least interesting song on her excellent album Anti. Anti shows up at #13 on the albums list.
Coming in at #11 is ‘No Problem’ by Chance the Rapper. His album, Coloring Book, was named the fourth best of the year. If this song is any indication, Chance the Rapper isn’t for me, although I’ve heard enough good things about him that maybe I should give him another chance.
David Bowie’s Blackstar topped the Village Voice 2016 Pazz & Jop album list, but he doesn’t show up until #8 on the singles list. To be fair, he shows up at #9 as well, with the album’s title track.
At #8 is ‘Lazarus,’ probably the best song on Blackstar, and given the added meaning it took on following Bowie’s death, probably worthy of a much higher spot on this list. Come on, Solange ain’t got nothing on Bowie.