Song of the Day #3,184: ‘Name For You’ – The Shins

A few years ago I counted down my favorite albums of the decade so far and The Shins’ Port of Morrow took the #1 spot. I’ll have to revisit that exercise as the end of the 00’s gets closer, and when I do, I’m confident that album will remain at or near the top.

Five years after Port of Morrow‘s release, The Shins have finally released a new album, Heartworms. Will it give its predecessor some competition on that list?

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Song of the Day #3,183: ‘Goose Snow Cone’ – Aimee Mann

I’ve waited five long years since the last solo Aimee Mann album. She released an album with Ted Leo in 2014 under the moniker The Both, which was fine, but not the same. I’m stoked.

Even better, Mann told Rolling Stone that the new record, titled Mental Illness, promises to be her “saddest, slowest, most acoustic, if-they’re-all-waltzes-so-be-it-record.” That, my friends, is melancholy music to my ears.

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Song of the Day #3,182: ‘Hot Thoughts’ – Spoon

I first encountered the Austin-based indie rock band Spoon after the release of their fifth studio album, 2005’s Gimme Fiction. Their spare, crisp sound and founder Britt Daniel’s raspy vocals made up one of my favorite releases of that year.

I’ve mostly kept up with the band since, missing out on just one of their releases in the past decade. Spoon is one of those bands whose work I always love when I play it, but whose music I seldom play.

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Song of the Day #3,181: ‘Green Light’ – Lorde

It’s that time of year when the promise of new music bursts forth like flower blossoms in spring. This week I’ll feature songs from five upcoming albums I’ll definitely buy.

It’s been four years since a 16-year-old Lorde became the youngest artist ever to score a #1 Billboard hit. Her album Pure Heroine was a smart and resonant collection, all the more impressive when you took her age into account.

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Song of the Day #3,180: ‘Under the Sheets’ – Ellie Goulding

My only association with this Ellie Goulding song, from her 2010 debut album Lights, is my impersonation of its opening lines. My wife was (is?) a fan of this album, while I would pass up no chance to make fun of it.

My schoolyard taunts included saying Goulding sounds like a “wispy unicorn,” mocking her pronunciation of “this love” as “this loaf” and singing the beginning of this song as “a toy a too a tee a toe” in my best Ellie Goulding accent.

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