My final 2001 album is one I have owned for quite some time, by a band I like a lot. And yet I haven’t listened to The Shins’ Oh, Inverted World enough to have considered it for my list of favorite albums from the year.
I’m glad I’ve had a chance to remedy that, because this is an excellent album, one many critics consider the band’s finest (though I would give that honor to 2012’s Port of Morrow). It is credited with ushering in an era of indie pop more introspective than ironic.
Oh, how close we came to having a John Mayer song as the Random Weekend selection for frequent commenter Dana’s birthday! That would have been a fun twist given Dana’s Mayer bashing over the years.
But alas, Mr. Mayer arrives a day late. Maybe next year.
Today’s song is from the 2012 album Born and Raised, his fifth and one of his best. Influenced by Bob Dylan, Neil Young and the 70s Laurel Canyon scene, it’s a relaxed and lovely record.
[NOTE: I lost track of my dates and initially thought the 7th fell on a Saturday, so I wrote this post for Random Weekends. Rather than redo everything, I’m going to run this weekend’s posts today and tomorrow and post my final 2001 Decades album on Sunday.]
Happy birthday to frequent commenter Dana! Let’s spin the wheel and see what the Random iTunes Fairy has served up in celebration of your day.
Another R&B blindspot for me, Aaliyah was a rising sensation when her life was tragically cut short in a plane crash in August of 2001. Just a month earlier, she had released her third album, a self-titled record that went on to sell 13 million copies worldwide.
While this isn’t my genre, I am very impressed by my first listen to this album. The songs sound great and have interesting twists and textures, and Aaliyah’s vocals are an appealing blend of sensuality and self-confidence.
I remember buying Quiet is the New Loud, the 2001 debut album by Norwegian duo Kings of Convenience, with the highest of hopes.
Here was a band drawing comparisons to Belle and Sebastian, Elliott Smith and Simon & Garfunkel, recording the kind of acoustic, melancholy soft pop songs that set my heart aflutter. Hell, their album cover even looked like a Belle and Sebastian record.
Meet Me In Montauk 