Category Archives: dylan weekends

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Song of the Day #734: ‘Love Henry’ – Bob Dylan

Bob Dylan followed up his first album of covers, Good As I Been to You, a year later with 1993’s very similar World Gone Wrong. Again, the album featured just Dylan on his guitar and harmonica playing old folk and blue songs.

This might be the first time in Dylan’s career that he repeated himself. Over the previous 30 years, each of his new albums invariably marked a thematic or stylistic change from its predecessor. But World Gone Wrong sounded like it could have been made up of the outtakes of Good As I Been to You. The album received more critical praise than its partner, however, mostly due to its tighter focus.

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Song of the Day #728: ‘Canadee-i-o’ – Bob Dylan

I’ve long had a plan to turn three of Dylan’s 90s folk song covers, culled from Good As I Been to You and its sequel World Gone Wrong, into a screenplay. The idea would be to intertwine three war stories, touching on thin connections between each… sort of Babel meets Saving Private Ryan. World Gone Wrong would be the working title.

Two of the songs would come from Good As I Been to You. One is ‘Arthur McBride,’ a tale of a military recruitment attempt that ends in violence. That one has a definite Tarantino feel to it… like the underground bar scene in Inglourious Basterds moved to a battlefield.

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Song of the Day #727: ‘Diamond Joe’ – Bob Dylan

The album that immediately followed Under the Red Sky wasn’t new material but the first three volumes of The Bootleg Series, probably the most extraordinary collection of unreleased tracks by any artist ever. The Bootleg Series is now up to its eighth volume, with each edition shedding new light on Dylan’s marvelous career.

But for now I’m limiting these Dylan Weekends to releases of new material, so I’ll skip ahead to 1992’s Good As I Been to You. This was Dylan’s first album that didn’t contain a single original song (even his self-titled debut contained two of his own tracks among a collection of covers). It was also his first album since he went electric to include only acoustic instruments.

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Song of the Day #721: ‘Born in Time’ – Bob Dylan

Under the Red Sky is notable for its extensive use of big-name backing musicians. Dylan had played with his share of notables in the past but the lineup on this album looked sort of like a benefit concert.

Contributors included Jimmie and Stevie Ray Vaughan, Bruce Hornsby, David Crosby, George Harrison, Slash and Elton John. But for all that star power, you’d never guess this wasn’t a typical Dylan backing band. Hornsby and John don’t launch into piano solos that betray their signature sounds… Slash doesn’t start shredding in the middle of ‘Wiggle Wiggle.’ They just play, and they must have had a hell of a time doing it.

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Song of the Day #720: ‘God Knows’ – Bob Dylan

In 1990, a year after Oh Mercy, Bob Dylan ushered in a new decade with an odd collection of simple songs seemingly patterned after nursery rhymes. Under the Red Sky was met with shrugs from critics and fans alike… it certainly wasn’t what people expected after his powerful return to form just a year earlier.

I shared in that reaction, not quite sure what to make of the album. At the time, my knowledge of Dylan’s catalog was limited to his undisputed classics from the 60s and 70s, plus Oh Mercy, so the concept of a Dylan album that was more of a lark was new to me. As a result I gave it a few listens and filed it away.

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