In some ways, this was an odd choice for a full album deep dive because I’m not a particularly big Arcade Fire fan (I’ve enjoyed a couple of their albums but not enough to spend much time with them).
But when The Suburbs was a surprise Album of the Year winner at the 2011 Grammys, it put it on my radar for a more in-depth dissection, one I finally got around to a couple of years later.
This wasn’t the most popular choice among my regular readers, with daily commenter Dana particularly unimpressed by the album. He predicted that I wouldn’t be listening to The Suburbs in 10 years, and I have to admit he was right. I don’t think I’ve played it in full more than twice since writing these blog entries.
Even so, this is an ambitious and thoughtful work that treats the album format as a cohesive work of art, something fewer and fewer artists were doing in 2010. It’s worth a deep dive, so here it is.
- ‘The Suburbs’
- ‘Ready to Start’
- ‘Modern Man’
- ‘Rococo’
- ‘Empty Room’
- ‘City with No Children’
- ‘Half Light I’
- ‘Half Light II (No Celebration)’
- ‘Suburban War’
- ‘Month of May’
- ‘Wasted Hours’
- ‘Deep Blue’
- ‘We Used to Wait’
- ‘Sprawl I (Flatland)’
- ‘Sprawl II (Mountains Beyond Mountains)’
- The Suburbs (Continued)’
