Song of the Day #3,695: ‘Madman Across the Water’ – Elton John

Elton John’s Madman Across the Water is my seventh favorite album of 1971, though it would be more accurate to say the first side of Madman Across the Water made the list. When ‘Tiny Dancer,’ ‘Levon’ and ‘Madman Across the Water’ are three of your first four songs, you can pretty much hang up your hat and call it a day.

The other tracks — ‘Razor Face,’ ‘Indian Sunset,’ ‘Holiday Inn,’ ‘Rotten Peaches,’ ‘All the Nasties’ and ‘Goodbye’ — are all solid, if not up to the level of the opening classics.

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Song of the Day #3,694: ‘Till Tomorrow’ – Don McLean

My #8 album of 1971 is Don McLean’s American Pie, the singer-songwriter’s sophomore effort, which hit #1 on the Billboard 200 and featured two hits in the iconic title track and ‘Vincent,’ McLean’s ode to Vincent Van Gogh.

This album could earn a spot on this list for those two songs alone, but the rest of its lineup features one achingly gentle acoustic gem after another.

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Song of the Day #3,693: ‘Behind Blue Eyes’ – The Who

I’ve featured only one Who song on this blog over the past ten years — ‘The Kids are Alright,’ a song I truly love. But as I noted way back then (Song of the Day #81, if you can believe it!), I’m not much of a Who fan in general.

I also mentioned in that post that I am a fan of the band’s fifth studio album, 1971’s Who’s Next. Enough to put it at #9 on my list of best albums from that year.

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Song of the Day #3,692: ‘All I Want’ – Joni Mitchell

It’s time for the latest installment of my Decades series, wherein I highlight the albums of a specific year in the 70s, 80s, 90s and 00s. I last wrapped up the ‘zeroes’ by hitting 1970, 1980, 1990 and (earlier this year) 2000. Before that I did the ‘twos,’ starting with my birth year — 1972 — and jumping ahead from there.

Now I turn to the ‘ones’ and kick things off with 1971. As usual, I will count down my own favorite albums from that year before spending a week on widely acclaimed albums of the year with which I am unfamiliar.

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Song of the Day #3,691: ‘The Dream Police’ – David Byrne

Rei Momo, released in 1989, was David Byrne’s first proper solo album, coming on the heels of Talking Heads’ final album, 1988’s Naked.

Byrne had always explored Afro/Caribbean sounds with Talking Heads (Naked being a great example) but he doubled down on the concept on this album. Every Rei Momo track features a different musical style, which is noted in the track list: cumbia, orisa, salsa, merengue, bomba, rumba, all that good stuff. Today’s SOTD is an example of ‘cha cha cha.’

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