I’m continuing my Decades series over the next two weeks, writing about some of the 2003 albums that didn’t crack my top ten. Most of these records are completely new to me. A few are in my music library but neglected enough that I’m treating them as new.
Outkast’s Speakerboxxx/The Love Below falls into the latter category. I know the big songs from this album very well (‘Hey Ya,’ ‘The Rooster,’ ‘The Way You Move‘) but the rest haven’t stuck with me. And listening to it again this week, that didn’t really change.

I’ve been thinking a lot about sampling lately. I’ve always been very much against the idea of sampling, as epitomized by what Puff Daddy did with ‘Every Breath You Take’ or even what Vanilla Ice did with ‘Under Pressure’ way back when. When the most memorable part of your song belongs to somebody else entirely, how is that ok? I don’t mean financially, because I know the writers of the source material are paid, but artistically.