In September of 1981, a planned Paul Simon solo concert turned into a generation-inspiring event when Simon invited Art Garfunkel to join him onstage in Central Park. Half a million people gathered on the Great Lawn to witness the historic reunion.
The resulting album is a lovely, touching document of the event and a hell of a batch of songs, too. It has a charmingly rough quality, including some flubbed verses and musical stumbles, which only serve to highlight the spontaneity of the show.
Simon & Garfunkel recorded together for just six years, releasing only five albums, but they made a major impact on popular music both through their sound and through the classic songs Paul Simon wrote for them to perform.
A couple of years after their (second) breakup, Paul Simon would start his solo career in earnest, but Garfunkel would remain a presence in his music in one way or another for more than a decade.
Simon & Garfunkel’s fifth and final album, Bridge Over Troubled Water, was released in 1970 and became the duo’s best-selling record as well as a Grammy Album of the Year winner. It was a massive critical and commercial success, topping the charts in 10 countries and selling more than 25 million copies worldwide.
And it was recorded and released as the lifelong friends saw their partnership collapse.
While Side One of Simon & Garfunkel’s Bookends is thematically consistent, Side Two is more of a grab bag.
Three of the five tracks were written for Mike Nichols’ film The Graduate — with ‘Mrs. Robinson’ famously appearing in the movie while ‘Punky’s Dilemma’ and ‘Hazy Shade of Winter’ didn’t make the cut. ‘Hazy Shade of Winter’ found success on its own, charting higher than any Bookends song other than ‘Mrs. Robinson.’
The album’s final song, ‘At the Zoo,’ is a tribute to the Central Park Zoo that portrays the animals in amusingly human terms (“giraffes are insincere… zebras are reactionaries… pigeons plot in secrecy”).
Simon & Garfunkel’s third album, 1968’s Bookends, marked a major stylistic departure for the duo.
The straightforward acoustic folk (and folk rock) of their first few albums gave way to a record very much crafted in the studio. The songs on this album feature distorted instruments, samples, skits and interviews. It’s a cross between Peter, Paul and Mary, National Public Radio and Eminem.
Bookends is a concept album at heart, though I’m not sure the concept holds up across its full length. Side One starts and ends with ‘Bookends Theme,’ a gentle guitar melody that is echoed in the moving track ‘Old Friends,’ about two elderly men who sit on a park bench “like bookends.”
Meet Me In Montauk 