Eleven years ago, I ranked R.E.M.’s albums and placed 1986’s Lifes Rich Pageant at #3. I have some quibbles about that list and would likely shuffle some titles were I to revisit it today, but I stand by the placement of this album.
Pageant was the album where R.E.M. started the transition from the alternative to the mainstream. It’s more polished and muscular than its predecessors, but not as radio-friendly as what was to come. It sits nicely in that sweet spot.
Today’s radom track come from R.E.M.’s 1987 collection of B-sides and rare tracks titled Dead Letter Office.
Often, albums like this can be a bit of a drag — a simple cash grab or an easy way to satisfy a contract. That may well have been the purpose of this one, too, but it’s a great collection of songs nonetheless, providing a glimpse into the band’s burgeoning creativity as well as their playful side.
I once ranked Reveal as the 12th best R.E.M. album, which isn’t saying much because they had released only 14 at the time. But I guess that’s enough to make it my #9 album of 2001.
Reveal was the band’s second album without drummer Bill Berry, and while none of the post-Berry records measure up to R.E.M.’s work as a quartet, this one does have several of their best tunes from that era.
Funny how opinions change over time. I’ve written about R.E.M.’s Out of Time a few times before but never in a very positive light. In posts eight and nine years ago I described it as one of the band’s weakest efforts.
Yet here I am in 2019, naming it as my #1 album of 1991. And it wasn’t even a tough decision.
I was shocked to discover that I’ve posted 3,808 Songs of the Day without once featuring a song from R.E.M.’s 1987 album Dead Letter Office.
This collection of B-sides, outtakes and loose ends was released between 1986’s Lifes Rich Pageant and 1987’s Document, which made an appearance on Random Weekends exactly one week ago.