Continuing a countdown of my favorite albums of 1986…
#4 – Lifes Rich Pageant – R.E.M.
Few bands had as a good a run in the 80s as R.E.M. Lifes Rich Pageant was the band’s fourth album in as many years and every one was a masterpiece.
Following up the murky folk rock of Fables of the Reconstruction, Pageant found the band in full rock mode, putting the muscular sound of their live shows on record for the first time.
‘Swan Swan H’ is the penultimate track on R.E.M.’s 1986 album Lifes Rich Pageant, though it was listed last on the packaging because a cover of the song ‘Superman’ was left off.
This album was the band’s fourth, and the first to move into more rock territory after the murky alternative pop of their first three releases. I slotted this album as #3 on my list of R.E.M. releases when I ranked them back in 2008.
Eleven years ago, I ranked R.E.M.’s albums and placed 1986’s Lifes Rich Pageant at #3. I have some quibbles about that list and would likely shuffle some titles were I to revisit it today, but I stand by the placement of this album.
Pageant was the album where R.E.M. started the transition from the alternative to the mainstream. It’s more polished and muscular than its predecessors, but not as radio-friendly as what was to come. It sits nicely in that sweet spot.
Given the spotty output of R.E.M. over the past 15 years, it’s easy to forget what a force they were in the 80s and early 90s. But no band better defined the alternative movement — and particularly how musical integrity could lead to mainstream success.
Five R.E.M. albums had a shot at this list, with three in the running right up until I finalized things. In the end, two made the cut. And first up is Lifes Rich Pageant.
Top Ten Male Vocalists – #2 – Michael Stipe
More than any other performer on this list, Michael Stipe uses his voice as an instrument. The sound of his singing is as important an element of R.E.M.’s sound as Peter Buck’s guitars, Mike Mills’ bass and keyboards and Bill Berry’s drums.
Driving that point home is that fact that on R.E.M.’s early albums, you can hardly tell what the hell Stipe is singing but everything still works perfectly. His mumbles (and murmurs) convey the emotional message of those songs as well as any lyrics could.
Meet Me In Montauk 