Sinéad O’Connor’s fourth studio album came on the heels of her disappointing third effort and the firestorm of controversy surrounding her pope-bashing Saturday Night Live appearance. And while 1994’s Universal Mother didn’t do well enough commercially to make it a proper comeback, it was certainly an artistic triumph.

A subdued and intimate collection of mostly piano-based ballads, Universal Mother was O’Connor’s most personal album to date. As she told the music magazine Mojo, the album “was the first attempt to try to expose what was really underneath a lot of the anger of the other records.”

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