Song of the Day #5,722: ‘You Can’t Wake Up if You Don’t Fall Asleep’ – Jarvis Cocker

Continuing my countdown of last year’s best films…

Best Films of 2023
#4. Asteroid City

Last year saw an interesting trend of films serving as a metaphor for their directors’ careers. Michael Mann’s Ferrari depicted a man relying on corporate funding to execute his vision with the help of a dedicated team that he drives a bit too hard. David Fincher’s The Killer portrayed a ruthless perfectionist tireless in his pursuit of each objective — a fitting topic for a director known for shooting hundreds of takes of even the simplest scenes.

Even Christopher Nolan’s Oppenheimer has been read as a metaphor for regrets over the superhero era ushered in by the director’s Dark Knight trilogy — not exactly the atomic bomb, but a pretty seismic and destructive cultural event.

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Song of the Day #5,011: ‘Aline’ – Jarvis Cocker

Continuing the countdown of my favorite 2021 movies…

Best Films of 2021
#2 – The French Dispatch

I understand why a lot of people have trouble engaging with Wes Anderson’s films. The fast pace, obsessive attention to detail, overly formal camerawork, deadpan dialogue, all of it. I get it.

But I am happily immune from that aversion. On the contrary, I soak up every fastidious minute of his movies with rapturous glee.

And so, when Anderson releases a movie in The French Dispatch that fans and detractors alike describe as “the most Wes Anderson film yet,” you can bet your ass I’m onboard.

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