Gaga has had one of the most interesting and surprising career trajectories ever. From techno pop and avant garde performance art to Tony Bennett duets, soft rock and award-season movie roles.
Lady GaGa’s second full-length album, Born This Way, arrived with such fanfare and hype that it couldn’t help but disappoint. It sold well (in part because of a mega-discounted Web deal) but nobody got all that excited about it.
And I’m kind of happy about that. Not because I don’t like Lady GaGa — I do — but because bringing her down to earth might be the best way to shift her focus from the pageantry to the music. GaGa’s music, as it turns out, it actually damn good. And Born This Way shows more promise of a long career than the admittedly addictive pop flash of her Fame records.
I haven’t gotten around to reviewing the new Lady GaGa album, Born This Way, but that’s not because it isn’t a worthy effort. On the contrary, it takes her music in some interesting new directions.
Actually, I should say some interesting old directions because GaGa, after all the techno dance pop of her first two discs, has remodeled herself as a cross between Pat Benatar and Bruce Springsteen. ‘Born This Way’ (the song) was a straight-up rewrite of Madonna’s ‘Express Yourself’ but the rest of the album channels the 80s rock bombast of those other MTV heroes.