I don’t generally like live recordings, but the bootleg release of Dylan’s “Royal Albert Hall” concert is a major exception. It works as both a stunning work of musical art and as a snapshot of a moment in cultural history… a time when “going electric” was considered a mortal sin by an audience that had painted Dylan into a corner of which he wanted no part.
“Royal Albert Hall” is in quotes because though that’s how the concert was widely known, the show didn’t take place in that London venue after all but in Manchester’s Free Trade Hall.



