In 1975, nine years had passed since the release of Bob Dylan’s last undisputed masterpiece, Blonde on Blonde. During those nine years he had released seven studio albums, two greatest hits collections and a live album.
He had matched his pre-1966 output but it would be hard to argue that any of those seven albums were equal to his first seven. Could it be his best days were behind him?
The answer, which came in the form of Blood on the Tracks, was a resounding no.
Meet Me In Montauk 