Bob Dylan’s third album of original material, Another Side of Bob Dylan, was very appropriately titled (even though Dylan himself later said he disliked the title for being so obvious). After making his name as a singer and writer of political protest songs, Dylan’s new record was a far more intimate affair.
Dylan caused outrage when he later “went electric” (and we’ll get to that on future weekends) but he received a whole lot of grief before that just for trading issue songs for introspective songs. Folkies bashed him for navel-gazing when he should have been saving the world. It’s fascinating exactly how rigid the confines of genres were back then, or at least the genre into which Dylan originally exploded.
