Two years after the massive success of I Do Not Want What I Haven’t Got, Sinéad O’Connor blew up her career in spectacular fashion.
Critics and audiences were perplexed by her third album, 1992’s Am I Not Your Girl?, a collection of cover versions of standards. This is the sort of album artists usually put out deep into their careers, often to satisfy a contractual obligation. It’s certainly not what you expect from the follow-up to a ground-breaking and star-making release.
Meet Me In Montauk 