New York Times music critic Lindsay Zoladz placed Fiona Apple’s Fetch the Bolt Cutters in her #1 spot, but her second best album of 2020 belongs to another fiercely independent female indie artist: Phoebe Bridgers.

Bridgers broke out this year with her sophomore album, Punisher, earning Grammy nods for Best Alternative Album, Best New Artist, Best Rock Performance and Best Rock Rong (the latter two for ‘Kyoto,’ today’s SOTD). The Los Angeles-based singer-songwriter previously earned a cult following for her evocative, and deeply melancholy, folk rock.

Bridgers came to my attention following the Ryan Adams harassment scandal. She was one of the artists who accused him of emotional abuse, including threats to derail her career if she didn’t continue a romantic relationship.

Fortunately, she overcame that ugly setback, has released two excellent albums, and appears well on her way to a successful long-term career.

Bridgers’ music is right up my alley. Her sad songs, acoustic with a hint of electric, and pretty soprano vocals remind me of one of my favorites, Aimee Mann. She is an excellent lyricist, too, spinning straight-forward observations into resonant poetry.

‘Kyoto’ is atypically upbeat compared to the rest of this album, but I love it too much not to feature it today.