Song of the Day #1,974: ‘Song For Zula’ – Phosphorescent

phosphorescent_muchachoBest Songs of 2013 – #16

Phosphorescent is the stage name of Matthew Houck, a songwriter from Brooklyn by way of Alabama. He has released seven albums over the past decade, the most recent (titled Muchacho) in March of this year.

And no, I’d never heard of him either until I stumbled across this song on a website a couple of weeks ago.

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Song of the Day #1,973: ‘Golden Age’ – Toad the Wet Sprocket

toad-new-constellationBest Songs of 2013 – #17

I doubt Toad the Wet Sprocket’s lead singer Glen Phillips’ name ever comes up in discussions of great pop vocalists. The band is too much a relic of the 90s to command that much respect.

But I’d rank him right up there. His soothing but edgy tone perfectly serves the band’s rocking material and especially its ballads.

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Song of the Day #1,972: ‘Shake’ – The Head and the Heart

head_heart_lets_be_stillBest Songs of 2013 – #18

I’m still getting to know Let’s Be Still, the sophomore album by Seattle band The Head and the Heart, but I know I love its first single, ‘Shake.’

This is the most immediately accessible song on the record, but not in a bad way. Often an album’s catchy first single is the first track to fade from memory as deeper cuts earn their way into my esteem.

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Song of the Day #1,971: ‘Calling Cards’ – Neko Case

neko_case_worse_thingsBest Songs of 2013 – #19

On her latest solo album, the annoyingly titled The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You, Neko Case delivers another batch of her signature smoky indie blues songs.

Today’s SOTD is one of the simplest, and the one that has stuck with me the most.

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Song of the Day #1,970: ‘The Wire’ – Haim

haim_days_are_goneBest Songs of 2013 – #20

I find about half of Haim’s debut album addictive. They have a great sound and a cool retro Fleetwood Mac vibe that serves their songs well.

The other half is repetitive to the point of annoyance, a tic they fall back on too often. Even in today’s song, which I otherwise love, the sisters repeat the chorus in the outro a few too many times.

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