Song of the Day #2,215: ‘First World Problems’ – ‘Weird Al’ Yankovic

weird_al_first_world_problemsIn addition to the direct parodies for which he’s best known, ‘Weird Al’ Yankovic writes original songs. I’ll admit I’ve never heard a single one of them until today.

Like many of his originals, ‘First World Problems’ is written and performed “in the style of” another artist, in this case The Pixies. I’m not familiar enough with their work to judge how closely he captures them.

Continue reading

Song of the Day #2,214: ‘Handy’ – ‘Weird Al’ Yankovic

weird_al_handyIf Iggy Azalea’s ‘Fancy’ is the default Song of the Summer (which appears to be the case), it’s only fitting that ‘Weird Al’ takes a shot at it.

I don’t like ‘Handy’ as much as the other tracks I’ve featured this week, possibly because I don’t like ‘Fancy’ as much as the other songs he parodied, but it’s still a clever parody.

Continue reading

Song of the Day #2,213: ‘Tacky’ – ‘Weird Al’ Yankovic

weird_al_tacky‘Tacky,’ ‘Weird Al’ Yankovic’s parody of Pharrell Williams’ ‘Happy,’ is more impressive as a video than a song.

The first clip released to promote Mandatory Fun, ‘Tacky’ features guest appearances by Jack Black, Eric Stonestreet, Margaret Cho and (a favorite of mine) Aisha Tyler and appears to be shot in one unbroken take.

Continue reading

Song of the Day #2,212: ‘Foil’ – ‘Weird Al’ Yankovic

weird_al_foil‘Weird Al’ Yankovic is very good at what he does. It might seem easy — juvenile, even — to write funny words to the tune of existing hits, but to do it with his precision and have so many of the jokes land… that’s difficult.

Even more impressive is Yankovic’s ability to mirror the sound and style of so many different genres. Yesterday it was the laid-back funk of Robin Thicke, and here it’s the sparse indie pop of Lorde.

Continue reading

Song of the Day #2,211: ‘Word Crimes’ – ‘Weird Al’ Yankovic

weird_alThis summer, the world finally caught up with “Weird Al” Yankovic.

His unique brand of spot-on parody (and the occasional polka track) has been consistently enjoyable for more than three decades, but it took the era of Facebook and viral videos to finally deliver him a #1 album.

He promoted that album, Mandatory Fun, through a daily release of YouTube clips and the fans took it from there.

Continue reading