Barbra Joan Streisand came out the same year as Stoney End and found Streisand continuing her shift into pop music.
The album is an interesting one that helps define both her strengths and limitations. Covers of songs by John Lennon and Carole King fall rather flat. The beauty of King’s Tapestry tracks, for example, is how simply and earnestly she sings them. The same songs delivered with theatrical bombast are somehow lessened.
But Streisand’s delivery of work by Burt Bacharach and Lara Nyro on the same record is transcendent.
