On his third solo album, 1994’s David Byrne, Byrne retreated from the world music flavorings of his previous releases in favor of a more spare, somber sound.
Many artists choose to self-title an album when it contains their most personal work, a glimpse into their inner workings. Byrne isn’t going down that road here. The lyrics are his typical opaque explorations of the human condition, following his usual obsessions with the minutiae and ugly-beautiful details of life.