Josh Rouse spent the year after Nashville‘s release in Spain, where he moved in with girlfriend Paz Suay. So the Nebraska boy who made his name in Nashville was suddenly a Spaniard.

His next release, 2006’s Subtitulo, reflected the move in its lyrics as well as, to some degree, its music. The album is predominantly made up of Rouse’s brand of smart acoustic pop but he introduced a few Latin flavors, including Suay’s charming vocals on one track.

Continue reading →