When he’s on top of his game, Elvis Costello has no equal as a lyricist. His ability to twist and turn the English language, to fracture and reassemble puns and cliches with devilish glee, borders on the surreal. Particularly on his early albums, Costello’s wordplay is almost frighteningly intricate.
To quote a song on a future Costello album, he calls to mind “a chainsaw running through a dictionary.”
For all of that lyrical ingenuity, or perhaps because of it, it’s often nearly impossible to tell what Costello’s songs are actually about. Often I’ll find myself thinking, “These lyrics are amazing… if only I knew what the hell they meant.”
In 1979, Costello stirred up controversy and damaged his career with some drunken racist remarks about Ray Charles and James Brown. He made them in a bar during a fight with some other musicians and days later saw them plastered on the news.
Meet Me In Montauk 