Song of the Day #259: ‘God’s Comic’ – Elvis Costello

spikeFollowing the double dip in 1986, Costello waited three years to put out his next album. During that time he signed with Warner Brothers and, as he tells it in the liner notes of Spike, was given a boatload of cash to make his next album. As a result, Costello writes, he took the five potential albums swimming around in his head and put them all out as one.

Indeed, Spike suffers a bit from schizophrenia. Though it is no longer than Get Happy!, Imperial Bedroom or King of America, it lacks those records’ thematic and musical cohesion and as a result feels about twice as lengthy as it is.

Continue reading

Song of the Day #258: ‘Home is Anywhere You Hang Your Head’ – Elvis Costello

bloodandIn a move that’s pretty much unheard of these days, Costello followed up King of America the same year with another stellar album, Blood & Chocolate.

Where King of America is acoustic and country-influenced, Blood & Chocolate is electric and pure rock-and-roll. It’s opening track, ‘Uncomplicated,’ bursts from the speakers with a wall of shredding guitars as Costello spits out the ominous threat “You think it’s over now but we’ve only just begun.”

Indeed.

Continue reading

Song of the Day #257: ‘American Without Tears’ – Elvis Costello

kingofIf Punch the Clock and Goodbye Cruel World were steps back, the album that followed them, King of America is a huge leap forward. And that’s an understatement.

King of America was the first Costello album I ever heard, after receiving it as a gift from my sister and future brother-in-law. The gift of Elvis Costello… tough to beat that. Talk about a gift that keeps on giving! I love the thrill of discovering a new artist, especially when there’s a wealth of previous material to dig through. In recent years I’ve had that experience with Stew and Josh Rouse. But Elvis remains the king in that regard.

Continue reading

Song of the Day #256: ‘The Only Flame in Town’ – Elvis Costello

goodbyecruelwordIn the liner notes of a reissued CD of Goodbye Cruel World, Elvis Costello starts off with this encouraging sentiment: “Congratulations! You just bought the worst album of my career.”

It’s tough to argue with him.

I called Punch the Clock a step back, and compared to Imperial Bedroom it is certainly that. But Punch the Clock is a masterpiece compared to Goodbye Cruel World. This album suffers from the cheesy production that crept into Punch the Clock but also falls short in terms of the songwriting.

Continue reading

Song of the Day #248: ‘Mouth Almighty’ – Elvis Costello

punchclockPunch the Clock is the first Elvis Costello album that feels like a step back. As a followup to Imperial Bedroom, this collection of mostly lightweight pop songs was rather anticlimactic.

Most confounding is the production, polished and packaged, complete with girl-group backing vocals. Whether this was Costello’s direction or a record label suggestion, I don’t know, but it feels wrong.

That said, the album does contain some great songwriting. ‘Shipbuilding’ is one of Elvis’ most gorgeous ballads, ‘Pills and Soap’ is an offbeat trippy treat and hit single ‘Everyday I Write the Book’ is an unabashed delight that benefits from the glossy production.

Continue reading