I’ve written several times that I consider Paul Simon’s most recent album, last year’s So Beautiful Or So What, one of his best ever — an equal of The Rhythm of the Saints and withing shouting distance of Graceland.

That’s certainly high praise, the sort of thing that is sometimes said during the blush of excitement that accompanies a new album release. Months later you’ll return to the same record and enjoy it but not to the degree you’d advertised.

With this album, however, that hasn’t been the case.

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