The seven years between The Rhythm of the Saints and Paul Simon’s next studio album felt like an eternity. Following the one-two punch of Graceland and Rhythm, I was primed for whatever he would come up with next and had to just wait and wait and wait.
In the days before the ubiquity of the Internet — before Twitter and official artist websites — it was hard to know what a musician was up to. It turns out that Simon spent much of that seven-year span researching and writing a Broadway musical called The Capeman about a Puerto Rican gang-banger in New York who turned his life around in prison.
Meet Me In Montauk 