Continuing a countdown of my favorite albums of 1986…
#7 – The Bridge – Billy Joel
Billy Joel’s 10th studio album was his last truly great one. I find a lot to love on 1989’s Storm Front and 1993’s River of Dreams, but this album is special from start to finish.
OK, maybe ‘This is the Time’ is a bit of a speed bump among the album’s nine tracks, but you can’t beat up on the guy for writing a prom theme.
Throwing back to the week of December 10, 1983, we find a couple of repeats atop the Billboard Hot 100 in ‘Say Say Say‘ (Paul McCartney and Michael Jackson) and ‘All Night Long (All Night)‘ (Lionel Richie).
In the #3 spot is Billy Joel’s ‘Uptown Girl,’ the second single from his An Innocent Man album, and one of three from that record to reach the top ten. ‘Uptown Girl’ spent five weeks at #3, its peak position on the chart.
Throwing back to the week of September 17, 1983, we have Michael Sembello hanging on to the top spot with ‘Maniac’ from the Flashdance soundtrack. Right behind him at #2 is Billy Joel, whose ‘Tell Her About It’ would take over the top spot the following week.
‘Tell Her About It’ was the first of six singles from Joel’s An Innocent Man album, and the only one to hit #1. Even ‘Uptown Girl’ couldn’t make it higher than #3. In fact, this song is one of only three #1 hits in Joel’s entire career. Bonus points to anybody who can name the other two in the comments (without cheating).
They never told us in the Terminator and Matrix movies that, before the machines destroyed humanity, they performed classic songs in the voices of different artists. That seems to be the trajectory we’re on, anyway.
This week I will feature five songs reimagined by AI to feature new singers. I’d love to hear my readers’ thoughts on the artistic and ethical implications of this practice.
Just when I was dissing the Random iTunes Fairy for offering up a dreadful song yesterday, she bounces back with a sterling selection today.
‘Say Goodbye to Hollywood’ is the opening track of Billy Joel’s 1976 Turnstiles, his fourth album and the one released a year before he reached mega-stardom with The Stranger. This is one of my favorite Joel albums, even if several of its best songs sound even better on the 1981 live release Songs in the Attic.
Meet Me In Montauk 