On the eve of the 2020 presidential election, when it looked like Joe Biden could defeat Donald Trump by holding the Blue Wall and flipping some reliably red states, Jason Isbell took to Twitter:
“If Biden wins Georgia I’m gonna make a charity covers album of my favorite Georgia songs- REM, Gladys Knight, Vic Chesnutt, Allmans, Cat Power, Precious Bryant, Now It’s Overhead, etc… And damn is that gonna be fun.”
Jason Isbell’s seventh album, Reunions, came out in May 2020 in the early days of Covid. Its air of melancholy nostalgia proved a perfect soundtrack for those uncertain times.
Recorded once again with The 400 Unit, the album finds Isbell digging into his past. “There’s ghosts all over the record,” he said in an interview. “That’s why I called it Reunions, because that’s what a ghost is: reuniting with somebody long enough for them to tell you what you missed the first time around.”
Continuing my Jason Isbell deep dive…
The gateway album for a favorite artist (the first work of theirs you hear) always holds a special place. Often it ends up being my favorite release. In the case of Jason Isbell, that album was 2017’s The Nashville Sound.
This record came to my attention after the track ‘If We Were Vampires’ showed up at #20 on the year-end Village Voice Pazz & Jop poll. The album showed up at #5 on the publication’s albums list.
The week of August 24, 1965, found a trio of major hits atop the Billboard Hot 100: Sonny & Cher’s ‘I Got You Babe,’ The Beatles’ ‘Help!,’ and The Beach Boys’ ‘California Girls.’
In the #4 spot that week, its peak position on the chart, was The Righteous Brothers’ ‘Unchained Melody.’ I was sure I had featured this song on the blog before, but it turns out I have posted other versions (five, to be exact) but never the most famous one.
Throwing back to the week of August 23, 1955, we find Bill Haley & the Comets and Pat Boone holding on to the top two spots with ‘Rock Around the Clock‘ and ‘Ain’t That a Shame,’ respectively.
That brings us to the #3 song that week, Mitch Miller’s version of ‘The Yellow Rose of Texas,’ which eventually reached #1. This traditional tune dates back at least 100 years from Miller’s recording. The original version had references to “darkeys” and “yellow women” that were sanitized over the years.
Meet Me In Montauk 