Leon Thomas sits at #8 on the Billboard Hot 100 with ‘Mutt,’ a song I covered in the Song of the Summer write-up. This one’s been on the chart for 40 weeks. It still has three months left on the chart based on the new rules, unless it drops below #25 before then.
It wouldn’t be the modern Hot 100 if Morgan Wallen wasn’t somewhere in the top ten, and this week he’s at #9 with ‘I Got Better,’ the sixth single from his smash album I’m the Problem.
Justin Bieber sits at #6 on the Hot 100 with ‘Daisies,’ his biggest hit since 2021’s ‘Stay.’
Singer=songwriter Kehlani is at #7, the peak spot for her single ‘Folded.’ Kehlani was a member of teen pop band PopLyfe, which placed fourth on season six of America’s Got Talent. She began her solo career in 2017.
‘Folded’ is the first single from a yet to be announced album.
At #5 on the latest Billboard Hot 100 is Olivia Dean with her hit ‘Man I Need.’ This is the third single from the English singer-songwriter’s sophomore album, The Art of Loving, and the first to gain traction in the U.S.
Dean has been an emerging star for several years now and seems to be on the verge of a breakthrough. I’m writing this blog entry the morning of her Saturday Night Live debut as musical guest alongside host Glen Powell. I could see that appearance boosting her even more.
Its been a full six months since my last installment of ‘What the Kids are Listening To’ so I figured it’s due.
The long wait doesn’t necessarily mean I’ve missed out on a lot of chart-topping hits, however. Fewer songs than ever are cycling through the Billboard Hot 100. In fact, the issue has become so dire that Billboard just changed some of the guidelines for how long songs can stick around.
The week of November 16, 1965, found The Supremes atop the Billboard Hot 100 with ‘I Hear a Symphony,’ one of 12 #1 hits for the legendary girl group.
At #2 that week was Len Barry’s ‘1-2-3,’ a song that ended up embroiled in a copyright claim by those very same Supremes. Motown sued Barry and his co-writers, claiming that ‘1-2-3’ bore a strong resemblance to The Supremes’ ‘Ask Any Girl.‘ After two years in the courts, Motown’s Holland–Dozier–Holland writing team was awarded 15% of the royalties from this song.
Meet Me In Montauk 