The week The week of June 12, 2004, finds a lot of repeats atop the Billboard Hot 100 — songs I’ve either covered during Throwback Weekends or at some other point on the blog.
At #1 is Usher’s ‘Burn,’ followed by ‘I Don’t Wanna Know‘ by Mario Winans. Then comes Beyoncé with ‘Naughty Girl‘ and Usher again with ‘Yeah!‘
That brings us to #5, where alternative rock band Hoobastank sits with their biggest hit, ‘The Reason.’
Throwing back to the week of June 11, 1994, we find All-4-One atop the Billboard Hot 100 with ‘I Swear.’ As I noted a few weeks ago, this song spent 11 straight weeks at #1, making it one of the longest-running chart-toppers in history.
Holding the #2 spot is Madonna with the ballad ‘I’ll Remember,’ a soundtrack cut from the forgettable film With Honors (do you remember a movie about a Harvard student played by Brendan Fraser befriending a homeless man played by Joe Pesci? Neither do I.).
I’ve noted that 1995 was a big year for debut albums, so I’m closing out this edition of Decades with another notable first album. This one is interesting because it didn’t become a hit until two years after its release.
Jewel wrote most of the songs on Pieces of You as a teenager, busking her away across the country in search of a music career. She eventually drew the interest of record labels while playing in coffeehouses and signed a deal to record an album. Released when she was 21, the record failed to make a splash.
I’ve always felt like I have the potential to be a big Matthew Sweet fan. I don’t really know any of his music, but I’m aware enough of his sound to get that he lands in the same general ballpark as a lot my favorites.
Sweet is a power pop singer-songwriter who hails from Athens, Georgia, and once formed a band with R.E.M.’s Michael Stipe. He has the DNA of an alternative rocker raised on 50s and 60s pop.
I’ve written before that I never feel whiter or older than when I listen to a rap album considered one of the all-time greats.
I gave it another shot with Tupac Shakur’s 1995 Me Against the World, but again I’m coming up empty. Despite critical raves calling this one of the best rap records of all time, I find it rather corny and repetitive.
Meet Me In Montauk 