Throwing back to the week of April 10, 1954, we find Perry Como atop the Billboard singles chart with ‘Wanted,’ a song that would spend two months in the #1 spot and become the best-selling track of that year.
‘Wanted’ was the eighth of 11 #1 hits for Como between 1945 and 1958, and he had 36 other top ten releases during that span. I guess he was his era’s Drake.
Throwing back to the week of April 3, 2004, we find Usher’s ‘Yeah!’ in the middle of its 12-week run at #1. In the second spot is another repeat, Chingy’s ‘One Call Away.‘
That brings us to #3, where 17-year-old rapper J-Kwon’s ‘Tipsy,’ an ode to underage drinking, casual sex, and misogyny camped out on its way to an eventual peak at #2. This was J-Kwon’s first and only hit, with follow-up single ‘You & Me’ topping out at #58.
I’ve gone 5,753 songs of the day and nearly 16 years without featuring an R. Kelly song, but that streak ends today. Long before the R&B singer was convicted of child sexual abuse, racketeering, and sex trafficking, he had a #2 hit the week of April 2, 1994.
‘Bump N’ Grind,’ in hindsight, reads a bit like a confession. “My mind is telling me no, but my body’s telling me yes,” he says in the song’s intro. “Baby, I don’t want to hurt nobody.”
Footloose (1984) is one of the great soundtrack movies, a kind of film we were treated to far more often in the 80s. Think Top Gun, Flashdance, Dirty Dancing, and any number of John Hughes movies.
Six of this soundtrack’s nine songs reached Billboard’s Top 40, and three reached the top ten. Of those, two made it to #1 — Deniece Williams’ ‘Let’s Hear it for the Boy’ and the title track by Kenny Loggins, today’s featured Throwback Weekend song.
When Cher was last featured on Throwback Weekends, it was for her #1 hit ‘Half-Breed,’ which topped the charts in October of 1973. The video for that song found her dressed in a bikini and a Native American headdres.
Given that history, I was a little nervous when I saw that her next release, which reached #1 the week of March 23, 1974, was titled ‘Dark Lady.’ Fortunately, though the no-longer-acceptable word “gypsy” does appear a few times in the song, it’s nowhere near as bad as I feared.
Meet Me In Montauk 