Song of the Day #6,391: ‘Party All the Time’ – Eddie Murphy

Between 1976 and 1991, Billboard froze their final Hot 100 chart of the year to focus on a year-end wrap-up issue. So the #1 song the week of January 4, 1986, was the same as the prior week. That was Lionel Richie’s ‘Say Say Say,’ enjoying its second week atop the chart.

In the #2 spot that New Years week was the appropriately titled ‘Party All the Time,’ the first single from Eddie Murphy’s debut music album How Could It Be. This was the kickoff to an ill-fated music career that spanned three albums, poor reviews, and this one hit.

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Song of the Day #6,384: ”I Got You (I Feel Good)’ – James Brown

The week of December 28, 1965, saw a pair of singles atop the Billboard Hot 100 that typify the musical excellence of the 60s: Simon and Garfunkel’s ‘The Sound of Silence‘ at #1 and The Beatles’ ‘We Can Work It Out‘ at #2.

In the third spot that week was a song just as enduring and excellent as those two — James Brown’s ‘I Got You (I Feel Good).’ This track, Brown’s signature song, was the funk master’s highest-charting single, peaking right here at #3.

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Song of the Day #6,383: ‘Memories Are Made of This’ – Dean Martin

Throwing back to the week of December 27, 1955, we find Tennessee Ernie Ford’s ‘Sixteen Tons’ in its fifth week at #1, where it would remain for another three weeks.

At #2 that week was Dean Martin’s ‘Memories Are Made of This,’ which would enjoy its own five-week stint at #1 in early 1956. The song was written by Terry Gilkyson, Richard Dehr, and Frank Miller, a trio of singer-songwriters who performed as The Easy Riders. The Easy Riders sang backup for Martin on this recording.

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Song of the Day #6,377: ‘Say You, Say Me’ – Lionel Richie

Like yesterday’s Throwback Weekend song, the #1 hit the week of December 21, 1985, was written for a movie. In this case, the film was White Nights, a Cold War drama starring Gregory Hines and Mikhail Baryshnikov about a pair of dancers trapped in the Soviet Union.

I vaguely remember the film as a solid piece of mid-80s adult entertainment. I imagine the studio was chasing the success of another music-based drama, 1983’s Flashdance. The film had a decent pedigree, with Taylor Hackford directing and Helen Mirren and Isabella Rossellini in supporting roles.

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