Golden Globes piss on comedies

The Golden Globe nominations are in, and what stands out the most to me is how little respect this organization has for “real” comedies in its ‘Comedy/Musical’ category.

First of all, the idea of lumping comedies and musicals together is absurd — especially when films such as Walk the Line, La Vie en Rose and Ray are considered musicals. All three are pretty heavy dramas about people who sing… they are NOT musicals. What they are is an excuse for the Golden Globes to nominate even more dramas and ignore movies that actually make people laugh.

This year, the Globes went so far as to nominate SEVEN dramas, and then stocked the Comedy/Musical category with the likes of Across the Universe, Sweeney Todd and Charlie Wilson’s War (maybe Charlie Wilson really is primarily a comedy, but that wasn’t my impression). Yet they couldn’t find room for Knocked Up or Ratatouille, two films that are among the best reviewed of the year and also genuinely funny? Or even Superbad, which has its flaws but which tapped into something very sweet and real amidst the raunch. And no Walk Hard, also well-reviewed, which is both a musical (by the Globes’ standards) and a comedy? What a slap in the face for Judd in the ‘Year of Apatow!’

And I’ll let Amy express her outrage at the absence of Once from the Musical category, as well as all the rest.

New York Film Critics Circle Awards

The other bigwig critics group chimes in, and it’s another victory for No Country For Old Men, which also picks up prizes for the Coen Brothers’ direction and script as well as yet another win for Javier Bardem.

Amy Ryan continues her sweep of the Best Supporting Actress awards. A commenter on the last post asked if these critics awards really mean anything to the Oscar race, and the short answer is that they definitely do for somebody like Ryan, who before yesterday was only minimally on the radar but now should be considered not just a lock for a nomination but a pretty good bet to win. It was assumed that Cate Blanchett would take most of these awards for her portrayal of Bob Dylan in I’m Not There, and she’ll still be a strong contender, but Ryan is suddenly the one to beat.

There Will Be Blood gets a couple more mentions here, and the producers of that film must be happy with these early results. Also, Persepolis has really been duking it out with front-runner Ratatouille for the animated prize.

Best Picture
No Country for Old Men

Best Director
Joel and Ethan Coen, No Country for Old Men

Best Actor
Daniel Day Lewis, There Will Be Blood

Best Actress
Julie Christie, Away from Her

Best Supporting Actress
Amy Ryan, Gone Baby Gone

Best Supporting Actor
Javier Bardem, No Country for Old Men

Best Screenplay
Joel and Ethan Coen, No Country for Old Men

Best Cinematographer
Robert Elswit, There Will Be Blood

Best Foreign Film
The Lives of Others

Best Animated Film
Persepolis

Best First Film
Sarah Polley, Away from Her

Best Documentary
No End in Sight

Lifetime Achievement
Sidney Lumet

Special Critics’ Award
Charles Burnett, Killer of Sheep

Los Angeles Film Critics Association Awards

The next big critics group chimes in and it’s another win for There Will Be Blood, which picked up directing and acting wins as well. Amy Ryan and Marion Cotillard show up again but Javier Bardem loses out for the first time — to an actor from 4 Months, 3 Weeks, and 2 Days, a Romanian film about abortion that picked up quite a few awards from the New York Critics.

Here we have the first mention of Once, for Best Music. Without some more attention in the early awards, that film is probably looking at a Best Song nomination (or two) and little else come Oscar time.

BEST PICTURE
There Will Be Blood
Runner Up: The Diving Bell and the Butterfly

DIRECTOR
Paul Thomas Anderson, There Will Be Blood
Runner-up: Julian Schnabel, The Diving Bell and the Butterfly

ACTRESS
Marion Cotillard, La Vie En Rose
Runner-up: Anamaria Marinca, 4 Months, 3 Weeks, and 2 Days

ACTOR
Daniel Day-Lewis, There Will Be Blood
Runner-up: Frank Langella, Starting Out in the Evening

SCREENPLAY
Tamara Jenkins, The Savages
Runner-up: There Will Be Blood, Paul Thomas Anderson

SUPPORTING ACTRESS
Amy Ryan, Gone Baby Gone and Before the Devil Knows You’re Dead
Runner-up: Cate Blanchett, I’m Not There

SUPPORTING ACTOR
Vlad Ivanov, 4 Months, 3 Weeks, and 2 Days
Runner-up: Hal Holbrook, Into The Wild

FOREIGN LANGUAGE FILM
4 Months, 3 Weeks, and 2 Days
Runner-up: The Diving Bell & The Butterfly

DOCUMENTARY/NON-FICTION FILM
No End in Sight directed by Charles Ferguson
Runner-up: Sicko, Michael Moore

PRODUCTION DESIGN
Jack Fisk, There Will Be Blood
Runner-up: Dante Ferretti, Sweeney Todd

ANIMATION
tie – Ratatouille (Brad Bird) and
Persepolis (Vincent Paronnaud/Marjane Satrapi)

MUSIC
Glen Hansard and Marketa Irglova, Once
Runner-up: Johnny Greenwood, There Will Be Blood

CINEMATOGRAPHY
Janusz Kaminski, The Diving Bell and the Butterfly
Runner-up: Robert Elswit, There Will Be Blood

NEW GENERATION
Sarah Polley – Away from Her

CAREER ACHIEVEMENT
Sidney Lumet

New York Online Film Critics Awards

More hardware for Diving Bell — the question is whether it can be the rare foreign film to cross over into the Best Picture category — and the first mention of Paul Thomas Anderson’s There Will Be Blood. We probably won’t get that film until after the New Year, but I’m excited to see it make the cut here.

Javier Bardem makes it three for three, and Cate Blanchett gets her first award on her way to a sure Oscar nomination. The younger Online Film Critics group shows some love to Wes Anderson, with a screenplay award and a spot in the top ten list, but I doubt that will be the start of a trend.

BEST PICTURE
The Diving Bell and the Butterfly (tie)
There Will Be Blood (tie)

BEST DIRECTOR
Paul Thomas Anderson – There Will Be Blood

BEST ACTOR
Daniel Day-Lewis – There Will Be Blood

BEST ACTRESS
Julie Christie – Away From Her

BEST SUPPORTING ACTOR
Javier Bardem – No Country for Old Men

BEST SUPPORTING ACTRESS
Cate Blanchett – I’m Not There

BEST CINEMATOGRAPHY
There Will Be Blood – Robert Elswit

BEST SCREENPLAY
The Darjeeling Limited – Wes Anderson, Jason Schwartzman, Roman Coppola

BEST FOREIGN PICTURE
The Lives of Others (tie)
Persepolis (tie)

BEST DOCUMENTARY
Sicko

BEST ANIMATED FEATURE
Persepolis

BEST MUSIC/SCORE
There Will Be Blood – Jonny Greenwood

BEST BREAKOUT PERFORMANCE
Ellen Page – Juno

BEST DEBUT AS DIRECTOR
Sarah Polley – Away From Her

BEST ENSEMBLE PERFORMANCE
Before the Devil Knows You’re Dead

BEST PICTURES (alphabetical)
Atonement (Focus Features)
Before the Devil Knows You’re Dead (THINKFilm)
The Darjeeling Limited (Fox Searchlight)
The Diving Bell and the Butterfly (Miramax)
I’m Not There (The Weinstein Company)
Juno (Fox Searchlight)
Michael Clayton (Warner Bros.)
No Country for Old Men (Miramax)
Persepolis (Sony Pictures Classics)
Sweeney Todd (DreamWorks)
There Will Be Blood (Paramount Vantage)