District 9

district9District 9 is full of contradictions.

It’s an often horrific science fiction film with uncomfortably funny scenes that would feel right at place in The Office. It’s an allegory about ethnic strife and prejudice that contains some borderline offensive racial stereotypes. It’s a B movie on a shoestring budget (by Hollywood standards) boasting special effects that rival those in films costing 10 times as much.

But the central contradiction is that a film made up of the parts of so many other movies winds up such a surprisingly original achievement.

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Julie & Julia

juliejuliaI don’t think there’s any real question that Meryl Streep is the finest actor of her generation. And at the risk of indulging in hyperbole, it might be safe to say at this point that she’s the finest actor of any generation.

Can you even conceive of a movie review that goes something like this: “The film is quite good but for the flat leading performance by Ms. Streep”? Of course not.

On the other hand, I’ve read plenty of reviews along these lines: “The film has its shortcomings but Ms. Streep’s commanding performance elevates the material.” Indeed, her very presence makes every film she’s in at least a little bit better.

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Funny People

funnypeopleFunny People is a step forward for writer/director Judd Apatow even as it’s the weakest of his three films. It’s his attempt at a Manhattan or Hannah and Her Sisters (with more dick jokes), while 40-Year-Old Virgin and Knocked Up were more lightweight Annie Hall.

Don’t be misled by the Woody Allen references. Judd Apatow is no Woody Allen. But his films tread the same ground… modern relationships, wall-to-wall jokes, a showbiz milieu (with Los Angeles in place of New York City). And Apatow is the reigning voice in comedic filmmaking today, as Allen was in his heyday, though Apatow’s reach extends beyond his own films to a slew of movies he’s written and/or produced.

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(500) Days of Summer

500days(500) Days of Summer is a movie custom made for people who love Belle and Sebastian and The Smiths, Annie Hall and Memento, Wes Anderson and Charlie Kaufman. It’s a movie, in other words, custom made for me.

I’m not suggesting it’s as good as any of those things… it’s not. But it’s in their spirit and that counts for a lot.

As the dry narration says right up front, it’s a story about a boy and a girl but it’s not a love story. In fact, even that is a little misleading… it’s really a movie about a boy. The girl, Summer (well portrayed by the endearing, sweetly sexy Zooey Deschanel), is more a type than a fully fleshed-out character. And oh, what a type. Casually irresistible, she draws a certain kind of guy in like a magnet through no fault or design of her own. She ‘s never as into you as you’re into her but she’s just vulnerable enough to make you think that might change.

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Harry Potter and the Half-Blood Prince

potterprinceThe Harry Potter movies — six down, two to go — occupy a strange place in my moviegoing experience. I anticipate them wildly and strive to see them on opening day whenever possible, yet I generally forget them rather quickly afterward. They run together as a blend of potions, broomsticks and Every Flavor Beans.

I feel, in a way, as if they aren’t “real” movies. They are dramatizations of books I’ve loved, a way to bring life to visions swirling in my head since reading J.K. Rowling’s tale. But I can’t imagine watching these films having not read the books (unlike, say, The Godfather or The Bourne Identity). They are very expensive companion pieces.

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