Large and in charge

I’m straying a bit from the topic of this blog to examine the latest album release of a certain Mr. Lyle Lovett. Perhaps I’m not too far afield, as Mr. Lovett has acted in several films and provided music for many more. Regardless, such a talent deserves to be reflected upon, and this is as good a place as any.

This is an important release for Lovett, arriving 11 years after what I consider his best work, The Road to Ensenada. His output since then has been spotty — a live album, a collection of covers, a soundtrack and, in 2003, the album I consider his worst… My Baby Don’t Tolerate. That work had the sheen and musicianship he’s known for, but the songs were standard country rock numbers that felt like they could have been written by anyone.

So would this be a return to form, or another disappointment?

The short answer: It’s a return to fom. But I’ve never been one for short answers. So here’s a track-by-track breakdown of Lovett’s latest opus.

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