Continuing my look at notable 2024 films, today I’m covering the Horror movies.
Every year I seem to have 11 titles vying for my list of top ten movies — 11 films I can’t imagine not making the cut. But one always has to drop to the ranks of the runners-up.
This year that movie is Strange Darling, writer-director JT Mollner’s devilishly clever cat-and-mouse thriller about an encounter with a serial killer.
Told through six chapters presented out of order, the film is a brilliant narrative exercise that upends expectations at every turn. The structure owes a lot to Quentin Tarantino, as does the grindhouse aesthetic, but the movie feels very much its own thing.
Strange Darling opens with a title card informing the audience that the film was “shot entirely on 35mm,” and the cinematography (by actor Giovanni Ribisi, of all people) is sublime. In fact, allow me to retroactively include it in my post earlier this week as a nominee in that category.
Clever script, gorgeous visuals, excellent acting (by Willa Fitzgerald and Kyle Gallner, with Ed Begley, Jr., and Barbara Hershey in supporting roles)… everything you want in a movie. Seek this one out if you haven’t already.
I’d classify Strange Darling as more of a thriller than a horror, but two other films with a fighting chance at my top ten were definitely horror films. Nosferatu, Robert Eggers’ remake of the 1922 classic, is a visual feast featuring an acrobatic lead performance by Lily Rose Depp. And Smile 2 ramps up the scares and the creativity to become the rare sequel that betters its predecessor in every way.
Some other notable 2024 horror releases:
Alien Romulus – An entertaining homage to the first Alien film featuring a truly gonzo ending and an adorably barefoot Cailey Spaeny.
Blink Twice – Zoe Kravitz shows some impressive chops in her directorial debut, a film that predicted the Diddy ugliness.
Cuckoo – Hunter Schafer impresses in her first lead role in one of several post-Dobbs films that is ultimately about the subjugation of women’s bodies.
The First Omen – Here’s another one. This prequel to The Omen stars Nell Tiger Free as a nun coerced into giving birth to the Devil himself.
Heretic – Hugh Grant is deliciously sinister as a charming homeowner mansplaining religion to a pair of Mormon missionaries.
Immaculate – Another film about a nun impregnated by sinister forces. This had one of the year’s best endings, a scene Sydney Sweeney absoluteley crushes.
Late Night with the Devil – A found footage film depicting the night a real exorcism took place during a late night variety show.
Speak No Evil – This remake fixes some of the things I disliked about the 2022 Danish-Dutch original. It’s more pedestrian, but much more enjoyable.
The Substance – I loved so much about this movie, but I couldn’t get past the nature of the substance itself. There is no upside to taking it, which leaves a giant hole in the movie’s plot that I couldn’t get past.
From the High Desert in the majestic American west
I bid you all good evening or good morning or good afternoon
Wherever you may be across this great land of ours
This is the world famous Shore to Spooky Shore AM, dark night in the desert
And I’m Art Pallone
I’m feeling nostalgic tonight, so before we have our first guest
I’d like to kick things off with a song
This delectable ditty from back in 1971 is like a diamond
Dust it off and it’ll never lose its shine
Ginnie Pallone Mollner was the most popular singer in my house growing up
Bеt I’m not the only one
Herе she is with one of her very best, certainly one of my favorites
“To Forget You”
[Verse 1]
Looked like rain when you drove away
I was already cold
Last night seems so long ago
I can feel it in my stomach
I feel it in my bones
And now it feels like summer
What a long and lonely road
[Chorus]
And I packed my bags and I made my bed
But I don’t know why I ever left you
So I learned the words and memorized the tune
But I just can’t remember to forget you
To forget you
[Verse 2]
On the metro, that pretty face
Wouldn’t give us the time
But I was yours and you were mine
Getting spaced and walking barefoot
On cobblestones at night
And now, I’m left with this aching
I can feel you in my spine
[Chorus]
So I packed my bags and I made my bed
But I don’t know why I ever left you
So I learned the words and memorized the tune
But I just can’t remember to forget you
To forget you
[Bridge]
I miss you in the morning
And I want you bad at night
Next time, I’ll heed the warning
And never leave your side
[Chorus]
And I packed my bags and I made my bed
But I don’t know why I ever left you
So I learned the words and memorized the tune
But I just can’t remember to forget you
To forget you
To forget you
Oh, ooh
Happy for you that you’ve come to love horror films, but, with rare exception such as The Substance, I’ll pass on them.
I also don’t really get your criticism of The Substance. The desire in the entertainment industry to go to an extreme to remain young, beautiful, relevant and employed is completely understandable. Now, continuing to do so even after the substance is being abused causing hideous deformity didn’t make much sense, but certainly drove home the message of the metaphor.
I think it works if Demi’s character gets to experience the world through Margaret’s eyes. But she just goes dark for a week at a time.
That seemed somewhat unclear throughout the movie, at least to me. I agree it would have been better if she was aware, though she did see Margaret’s success and, even with the toll it was taking, didn’t stop it.
This is not a favorite genre for me. I saw Blink Twice and hated it. Strange Darling looks interesting although I can’t stand Giovani Ribisi as an actor I’m not sure he has another talent. I may see The Substance since Demi Moore will probably win the Oscar 🤷♀️