Today’s 1995 album isn’t exactly new to me — it found a home in my CD collection when I married my wife 27 years ago. But I haven’t spent enough time with it over the years to consider it a favorite.
Annie Lennox’s Medusa was her second solo album after taking a break from Eurythmics in 1990. Her first release, Diva, was a very successful collection of original pop soul songs. This one had a similar sound but focused entirely on covers of other artists’ material.
Covers albums are a hit-or-miss affair. Even the best ones feel a bit unnecessary. I’m all for a well-placed cover song in the middle of an album of originals, but most covers albums feel more like contractual obligations than artistic statements.
Medusa might be an exception, and that’s entirely due to Lennox’s gorgeous, expressive voice. If I can hear her wrap those vocals around hits by Bob Marley, Paul Simon, Procol Harum, and Neil Young, why would I pass up that opportunity?
Even better is when an album like this brings exposure to a little-known song and turns it into a hit a decade after the fact. That’s what happened to ‘No More “I Love You’s”,’ originally released in 1986 by British band The Lover Speaks. Lennox turned that New Wave track into something ethereal and majestic.
Medusa didn’t quite reach the commercial heights of Diva but it was a success, going double platinum in both the U.S. and the UK and selling more than 6 million copies worldwide. It was the last major hit of Lennox’s career.
(Note: Happy Birthday to daily commenter Dana!)
I used to be a lunatic from the gracious days
I used to feel woebegone and so restless nights
My aching heart would bleed for you to see
[Pre-Chorus]
Oh, but now
(I don’t find myself bouncing home
Whistling buttonhole tunes to make me cry)
[Chorus]
No more “I love you’s”
The language is leaving me
No more “I love you’s”
Changes are shifting outside the word
(The lover speaks about the monsters)
[Verse 2]
I used to have demons in my room at night
Desire, despair, desire
So many monsters
[Pre-Chorus]
Oh, but now
(I don’t find myself bouncing home
Whistling buttonhole tunes to make me cry)
[Chorus]
No more “I love you’s”
The language is leaving me
No more “I love you’s”
The language is leaving me in silence
[Post-Chorus]
No more “I love you’s”
Changes are shifting outside the word
[Interlude]
(And people are being real crazy
But we will only come
And you know what, mommy?
Everybody was being real crazy
The monsters are crazy
There are monsters outside)
[Chorus]
No more “I love you’s”
The language is leaving me
No more “I love you’s”
The language is leaving me in silence
[Post-Chorus]
No more “I love you’s”
Changes are shifting outside the word
Outside the words
[Chorus]
No more “I love you’s”
The language is leaving me
No more “I love you’s”
The language is leaving me
[Post-Chorus]
No more “I love you’s”
Changes are shifting outside the word
Outside the world
Thank you!
Happy birthday, Dana. I am not acquainted with you or the writer of this blog, but I stumbled upon it many years ago and love learning about new music (as well as being reminded about old favorites… like this CD). Ms. Lennox also covered a song by The Blue Nile — which is a very soulful, somewhat obscure band from Scotland — and gave them some exposure, too. Now Taylor Swift has name-checked them in one of her newest songs, which will probably give them another boost of well-deserved recognition. THANK YOU for your great daily blog posts!
I love her! Happy Birthday Dana and I agree with Willedare and thank you too for your great daily posts ❤️