The Rolling Stones continued their torrid pace of (at least) an album a year, dropping It’s Only Rock ‘n Roll in October of 1974. The album was produced by Mick Jagger and Keith Richards under the pseudonym “The Glimmer Twins.” The pair would go on to produce or co-produce every subsequent Stones album.
This was the band’s final release to feature Mick Taylor on guitar. He left after a dispute with Jagger over songwriting credits. All of the album’s original tracks are credited to Jagger and Richards, while Taylor maintained he made significant contributions to several songs, including today’s SOTD. Taylor is behind the mesmerizing guitar solo that closes out this epic track.
I like this album a lot more than Goats Head Soup. Following the glossy production of that record, this one sounds organic and gritty again. It’s not quite cohesive (its ten tracks run the gamut from classic R&B to country rock ballads to, in a real left turn, the dance funk of ‘Fingerprint File’) but the band sounds like they mean every note.
I particularly like the two long ballads at the album’s center. ‘Till the Next Goodbye’ and ‘Time Waits For No One’ are as earnest as The Stones get, and it’s a good look on them.
Yes, star-crossed in pleasure
The stream flows on by
Yes, as we’re sated in leisure
We watch it fly, yes
[Chorus]
And time waits for no one
And it won’t wait for me
And time waits for no one
And it won’t wait for me
[Verse 2]
Time can tear down a building
Or destroy a woman’s face
Hours are like diamonds
Don’t let them waste
[Chorus]
Time waits for no one
No favors has he
Time waits for no one
And it won’t wait for me
[Verse 3]
Men, they build towers to their passing
Yes, to their fame everlasting
Here he comes chopping and reaping
Hear him laugh at their cheating
[Chorus]
And time waits for no man
And it won’t wait for me
Yes, time waits for no one
And it won’t wait for me
[Verse 4]
Drink in your summer
Gather your corn
The dreams of the night time
We will vanish by dawn
[Chorus]
But time waits for no one
And it won’t wait for me
And time waits for no one
And it won’t wait for me
No, no, no, not for me, no, not for me
I think Taylor had a decent argument for songwriting credit where half the song is his guitar solo, but this was the era of the principal writing team in bands taking credit and royalties, even where one of them didn’t necessarily contribute to a particular song, so Taylor didn’t have much of a chance.
Meanwhile, I don’t think I know anything from this album either beyond the title track.