Elvis Costello called Goodbye Cruel World his “worst album” in one reissue, but in a future release he amended that sentiment to call it “the worst record that I could have made of a decent bunch of songs.”
The argument for that perspective is made by the inclusion of demo and alternate versions of almost all of the Goodbye Cruel World tracks in vastly different arrangements, and indeed the album that could have been is far better than the album that eventually was.
Case in point is ‘The Comedians,’ which shows up in sped-up form on Goodbye Cruel World, a bastardization of the song’s original tempo. I first heard the slower version of ‘The Comedians’ on a disc of other artists covering Costello’s songs, in a majestic performance by Roy Orbison.
Costello rewrote the whole lyric for that version as well, spinning a very straight-forward yarn about a man left stranded at the top of a ferris wheel by a carnival worker who has stolen the poor sap’s girlfriend.
It’s amazing how much better that song is than this one… considering it’s the same song. And Costello’s own recording of the Orbison version is pretty great, too. But today I’ll serve up the original album version and promise to return to the others in time.
You can’t refuse it’s like a home from home
Meanwhile in the Motor car kingdom
They’re finding that all that glitters is not chrome
The social circle have these cardiac complaints
Their hearts are empty when their hands are full
All these new found fond acquaintances
Turn out to be the red rag to my bull
Chorus
And I’m up while the dawn is breaking
Even though my heart is aching
I should be drinking a toast to absent friends
Instead of these comedians
I’ve looked into these eyes upon reflection
They’ve seen the face of love, they’ve seen a few
What kind of love is this upon inspection
You’ll be the last to know who’s fooling who
Chorus
I’m glad that he did release a different version of the song. I guess that’s the one benefit of having an album bomb – you don’t have many fans who are overly attached to the orignial recording 😉
In general, I tend to like Elvis more when he slows down the tempo, so this song – as is – I don’t like at all.
Not to steal your possible future thunder, but I thought I would post Orbison’s version of the song, which has the retooled lyrics and slower tempo.
I agree with EC that the songs on this album, including this one, are not bad songs, just produced in a way that does them no favors.