Song of the Day #250: ‘Call Me’ – Al Green

algreenI’ve had an Al Green song sitting my ‘drafts’ queue for months now, and I’ve never gotten around to posting it as a Song of the Day until today because, well, I just don’t have anything to say about it.

Originally the song was ‘Here I Am (Come and Take Me)’ but it’s since been pulled down for copyright infringement. I then switched to ‘Call Me,’ the title song from the same album. Call Me is an excellent album, featuring those two soul classics as well as ‘Funny How Time Slips Away,’ ‘I’m So Lonesome I Could Cry’ and a handful of other slow burners.

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Song of the Day #249: ‘Hey Julie’ – Fountains of Wayne

fountainsofI interrupt the previously scheduled Elvis Costello appreciation to bring you a week of unrelated songs. I figure I’ll give a break to the non-Costello fans in the audience (what’s wrong with you people?) and come back to him next week.

A couple of weeks back I featured a group of “happy” songs that were purposefully shallow and innocuous. But I didn’t mean to imply that I find no value in light songs. On the contrary, a well-written upbeat pop song can be the best thing in the world. And today’s song is perhaps the ultimate example.

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I Love You, Man

loveyoumanMy first thought coming out of I Love You, Man was premature disgust with the motion picture Academy for snubbing Paul Rudd in next year’s nominations. There’s no doubt in my mind he won’t even be considered a long shot for any acting awards, just as there’s no doubt in my mind that he deserves a boatload of them.

Rudd appears in just about every scene of I Love You, Man and his hilariously awkward charm takes the film to another level. He delivers a fabulous comedic performance that relies not on jokes (though there are plenty) but on the humor of personality. His painful inability to leave a room or a phone conversation without a cringe-inducing stab at dude etiquette are both high comedy and an insight into his character’s winning mix of sincerity and insecurity.

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Song of the Day #248: ‘Mouth Almighty’ – Elvis Costello

punchclockPunch the Clock is the first Elvis Costello album that feels like a step back. As a followup to Imperial Bedroom, this collection of mostly lightweight pop songs was rather anticlimactic.

Most confounding is the production, polished and packaged, complete with girl-group backing vocals. Whether this was Costello’s direction or a record label suggestion, I don’t know, but it feels wrong.

That said, the album does contain some great songwriting. ‘Shipbuilding’ is one of Elvis’ most gorgeous ballads, ‘Pills and Soap’ is an offbeat trippy treat and hit single ‘Everyday I Write the Book’ is an unabashed delight that benefits from the glossy production.

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Song of the Day #247: ‘Beyond Belief’ – Elvis Costello

imperialbedroomSo now we come to Imperial Bedroom, the second album in my Costello Holy Trinity and probably my favorite of his records. To paraphrase Ed Wood in Tim Burton’s film: “This is the one they’ll remember him for!”

To be fair, Costello will be remembered for far more than Imperial Bedroom, not least the fact that he can put out an Imperial Bedroom as well as a country album, a classical album and a Burt Bacharach album. But this is certainly a highlight in his discography.

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