Song of the Day #264: ‘Carpetbagger’ – Jenny Lewis

jennyI’m taking another break between Elvis Costello weeks, but he’s managed to sneak in anyway. Today’s song, a snappy number from Jenny Lewis’ latest album Acid Tongue, is a duet with Costello. And today’s video is a live version of the song from The Late Show with David Letterman, where Costello has always found a home.

I haven’t returned to Acid Tongue (or Lewis’ last album Rabbit-Fur Coat) much since I bought them, but when I do it’s always rewarding. She’s a talented writer and an expressive singer with a sensibility that spans genres and ends up very much her own thing.

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Song of the Day #263: ‘Rock Bottom’ – Eminem

eminem1After seeing Ben Folds in concert recently my sister made the astute observation that Folds is half sensitive, perceptive songwriter and half obnoxious frat boy. She’s a big fan of the former and not too keen on the latter, and was upset that the frat boy played a prominent role in the live show.

Well, Eminem is sort of like that times a thousand. He’s guilty of some of the most obnoxious, juvenile and downright stupid lyrics known to man but he’s also capable of real insight and emotional honesty. Songs such as ‘Stan,’ ‘Cleaning Out My Closet’ and ‘Sing for the Moment’ are both great music and gut-wrenching poetry. But ‘Big Weenie,’ ‘Ass Like That’ and ‘Cum on Everybody’ … well, I’ll let the titles speak for themselves.

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Song of the Day #262: ‘London’s Brilliant Parade’ – Elvis Costello

brutalyouthA year after The Juliet Letters, Costello’s most adventurous album to date, he reunited with The Attractions and put out what critics hailed as a return to old-school form.

Brutal Youth is indeed Costello’s first straight-up rock-and-roll album since Blood and Chocolate eight years earlier, though it does feature some of the baroque tricks he picked up through Spike and Mighty Like a Rose. And for my money, though it hits a few speed bumps along the way, it’s one of the highlights of his career.

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Song of the Day #261: ‘Taking My Life in Your Hands’ – Elvis Costello

julietlettOK, when an artist’s new release is a concept album about written correspondence performed entirely with a string quartet, he’s admittedly opening himself up to charges of pretentiousness. So yes, The Juliet Letters is sort of by definition a pretentious album.

But the thing is, it works. I’ve never listened to a string quartet in my life but I love every minute of this album. And of course that’s due to the songwriting, which is uniformly excellent on this collection. At least half of these 20 songs are as melodically sublime and lyrically clever as anything Costello has written for guitars and pianos as opposed to violins and cellos.

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Song of the Day #260: ‘Couldn’t Call it Unexpected No. 4’ – Elvis Costello

mightylikearoseProbably the most notable thing about Costello’s next album, Mighty Like a Rose, is the monstrous beard he grew to accompany its release. Costello says he grew the beard to get through an Irish winter and kept it around because it irritated people so much.

The songs, for the most part, aren’t as memorable as Costello’s facial hair. About half of the 14 tracks are forgettable and the rest are just a little bit above average. But there is one major exception. The album’s final track, a circus hymn with the oddball title ‘Couldn’t Call It Unexpected No. 4,’ could well be my favorite Elvis Costello song of all time.

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