Billy Joel is another strand in the ‘Piano Men (And Women)’ segment of my personal musical genome. That’s fitting, considering he gave it its name. And I didn’t feel right selecting any other song to represent him.
Joel doesn’t bridge any of my other categories in a meaningful way. Apart from the cinematic intro to ‘The Ballad of Billy the Kid,’ he’s never dabbled in country. His experiments with doo-wop and 50s pop on An Innocent Man aren’t exactly what I have in mind for my ‘Pure Pop’ category. And his street-smart style in no way derives from folk rock.



